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home·artworks·Angel with the Flaming Sword
Angel with the Flaming Sword by Franz Stuck

plate no. 8616

Angel with the Flaming Sword

Franz Stuck, 1889

oil, canvasSymbolismreligious paintingfigureangelswordwingshaloreligious
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering drapery and skin tones with subtle color variations, and creating atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of the sword.

  2. step 02

    Establish the background with broad washes of color, creating a textured effect.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomy.

  4. step 04

    Begin layering colors to define the drapery, using highlights and shadows to create form.

  5. step 05

    Refine the facial features and add details to the hair and halo.

  6. step 06

    Paint the wings, using dark browns and blacks to create depth and texture.

  7. step 07

    Render the sword with a gradient of red and orange, suggesting a fiery glow.

  8. step 08

    Add final details and highlights to the figure and background.

color palette

primary · titanium white · yellow ochre · raw umber · cadmium red

secondary · ultramarine blue · viridian green · burnt sienna

Achieve the muted greens by mixing yellow ochre, titanium white, and a touch of viridian green. Create the skin tones by blending titanium white, yellow ochre, and cadmium red, adjusting the proportions for highlights and shadows.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·color blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the skin tones and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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