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home·artworks·Ange Orsi, D'eugène Burnand
Ange Orsi, D'eugène Burnand by Eugène Burnand

plate no. 9577

Ange Orsi, D'eugène Burnand

Eugène Burnand, 1915

oilRealismportraitportraitmansailorhatclothingfigure
some experience helpful

Recreating this portrait will help students develop skills in rendering skin tones, capturing likeness, and using hatching and cross-hatching techniques to create form and texture. It also provides practice in observing and translating subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Establish the basic skin tones using a limited palette of warm and cool colors.

  3. step 03

    Begin building up the form of the face with layers of hatching and cross-hatching, paying attention to the direction of the light.

  4. step 04

    Add details to the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Paint the sailor's hat and uniform, using darker values to create depth and dimension.

  6. step 06

    Refine the background with soft, blended strokes, keeping it simple and understated.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · titanium white · burnt umber · cadmium red light · ultramarine blue

secondary · yellow ochre · ivory black

Mix skin tones by blending white, burnt umber, and cadmium red. Use ultramarine blue and burnt umber to create dark blues and grays for the uniform. Add yellow ochre to warm up the skin tones.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall form.
  • →Using colors that are too saturated and unnatural.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the direction of the light and creating flat, lifeless forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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