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home·artworks·Andrey, Grigoriy and Alexander Druzhinin
Andrey, Grigoriy and Alexander Druzhinin by Pavel Fedotov

plate no. 9209

Andrey, Grigoriy and Alexander Druzhinin

Pavel Fedotov, 1840

oil, canvasRealismportraitfiguresportraitsmenclothingtableinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and subtle lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background with subtle variations in tone and texture.

  4. step 04

    Focus on accurately capturing the facial features and expressions of each figure.

  5. step 05

    Build up the details of the clothing, paying attention to folds and highlights.

  6. step 06

    Add the details of the objects on the table.

  7. step 07

    Refine the lighting and shadows to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red and blue for subtle variations. Dark clothing can be created by mixing ivory black and burnt umber. Use yellow ochre and white for the gold details.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tones.
  • →Ignoring the importance of lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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