
plate no. 2140
Pietro da Cortona, 1631
Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing complex compositions and dramatic lighting.
technical profile
approach — 8 steps
Begin with a light sketch to establish the overall composition and placement of figures.
Block in the main shapes and values using thin washes of color.
Develop the background elements, such as the columns and sky, gradually adding detail.
Focus on rendering the figures, paying close attention to anatomy, drapery, and facial expressions.
Build up layers of color to create depth and dimension, using glazing techniques.
Refine the details, such as the folds in the clothing and the highlights on the faces.
Pay attention to the light source and how it affects the forms.
Add final touches and adjust values as needed to create a cohesive and harmonious painting.
color palette
primary · yellow ochre · burnt umber · titanium white · cadmium red
secondary · ultramarine blue · viridian green · ivory black
Achieve the warm, golden tones by mixing yellow ochre, burnt umber, and white. Use ultramarine blue and burnt umber to create shadows. Mix greens with ultramarine blue and yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne