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home·artworks·An Old Woman Praying
An Old Woman Praying by Nicolaes Maes

plate no. 8129

An Old Woman Praying

Nicolaes Maes, 1656

oilBaroquegenre paintingfiguretablefoodinteriorstill lifeprayer
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the effects of light and shadow in a dark interior. It also provides practice in depicting textures of different objects, such as fabric, bread, and metal.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the table.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figure, table, and objects with mid-tone values.

  4. step 04

    Begin layering in the highlights and shadows, paying attention to the direction of the light source.

  5. step 05

    Develop the details of the face, hands, and clothing, using subtle color variations.

  6. step 06

    Refine the textures of the bread, metal, and fabric with small brushstrokes.

  7. step 07

    Add the final highlights and details to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the shadows.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red light and yellow ochre to create warm highlights and skin tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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