
plate no. 7792
Nicolaes Maes, 1655
Recreating this painting will help students understand chiaroscuro and how to create a focal point using light. It also provides practice in rendering realistic skin tones and drapery.
technical profile
approach — 8 steps
Prepare a toned canvas with a mid-tone brown.
Lightly sketch the main shapes: the figure, the book, and the table.
Block in the darkest areas with a dark brown or black.
Establish the main light source and begin layering in lighter tones on the figure and book.
Focus on the face, building up the highlights and shadows to create form.
Refine the details of the book, including the pages and binding.
Add the keys and other background elements, keeping them less detailed than the focal point.
Glaze over the painting to unify the colors and deepen the shadows.
color palette
primary · burnt umber · raw umber · ivory black · titanium white
secondary · yellow ochre · cadmium red light
Mix various shades of brown and gray by combining the primary colors. Use yellow ochre and cadmium red to create the warm tones in the skin and table.
techniques
common pitfalls
surface · stretched canvas
required
optional
A toned canvas will help establish the overall value structure of the painting. Use a limited palette to create a harmonious color scheme.
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