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home·artworks·An Old Man Thinking
An Old Man Thinking by Salomon Koninck

plate no. 6592

An Old Man Thinking

Salomon Koninck

wood, oil, panelBaroqueportraitportraitold manfigurebeardclothingtable
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and creating depth through subtle value changes. It also provides practice in painting textures like fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and table.

  2. step 02

    Establish the overall composition and placement of the subject.

  3. step 03

    Apply a thin wash of burnt umber to create an underpainting, defining the light and shadow areas.

  4. step 04

    Begin building up the skin tones using thin layers of paint, focusing on the subtle variations in color and value.

  5. step 05

    Paint the clothing and background, paying attention to the folds and textures.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · cadmium yellow

Achieve skin tones by mixing white, burnt umber, and a touch of yellow ochre. Use ivory black and burnt umber for dark areas, and add white for highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the paint and losing the subtle value changes.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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