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home·artworks·An Old Man Lighting his Pipe in a Study
An Old Man Lighting his Pipe in a Study by Gerrit Dou

plate no. 4838

An Old Man Lighting his Pipe in a Study

Gerrit Dou

oil, canvasBaroquegenre paintingfigureinteriorbookstablefireplacestill life
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures, understanding light and shadow, and creating a sense of depth in an interior scene. It also provides practice in painting the human figure in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the placement of the figure, table, and fireplace.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Work on the details of the figure, paying attention to the folds of the clothing and the facial features.

  5. step 05

    Render the textures of the objects on the table, such as the books, globe, and metal pitcher.

  6. step 06

    Develop the background, including the fireplace and the shelves of books.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix browns and grays by combining burnt umber, raw sienna, ivory black, and white. Use ultramarine blue to cool down the browns and add depth to the shadows. Add alizarin crimson to create the reddish tones in the figure's robe.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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