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home·artworks·An Old Man Holding a Pipe and a jug
An Old Man Holding a Pipe and a jug by Gabriel Metsu

plate no. 3720

An Old Man Holding a Pipe and a jug

Gabriel Metsu

oil, panelBaroqueportraitfigureportraitpipedogtreelandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and textures, as well as creating depth through atmospheric perspective in the background. It also provides practice in capturing the likeness of a subject and conveying a sense of character.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, dog, and background elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  4. step 04

    Develop the details of the clothing, pipe, jug, and other objects, focusing on texture and form.

  5. step 05

    Work on the background, creating a sense of depth and atmosphere through subtle value changes.

  6. step 06

    Add details to the dog's fur and features, capturing its expression.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights to create a sense of realism.

  8. step 08

    Add final details and glazes to enhance the depth and richness of the painting.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · raw sienna

Achieve subtle variations in skin tone by mixing white with small amounts of umber, ochre, and black. Create atmospheric perspective in the background by adding more white to the base colors.

techniques

  • ·grisaille underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the skin tones.
  • →Creating a flat or lifeless background.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, burnt umber, ivory black, titanium white, yellow ochre, raw sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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