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home·artworks·An Extensive River landscape, Probably Derbyshire, With Drovers And Their Cattle In The Foreground
An Extensive River landscape, Probably Derbyshire, With Drovers And Their Cattle In The Foreground by Jan Siberechts

plate no. 4861

An Extensive River landscape, Probably Derbyshire, With Drovers And Their Cattle In The Foreground

Jan Siberechts, 1698

oil, canvasBaroquelandscaperiverlandscapehillscattleboattrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. It also provides practice in rendering various textures like water, foliage, and rock formations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, hills, and major landmarks.

  2. step 02

    Establish the sky and distant hills with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main areas of the landscape: the foreground, midground, and background, using local colors.

  4. step 04

    Add details to the hills, including the fields, trees, and shadows.

  5. step 05

    Paint the river, capturing the reflections and subtle color variations.

  6. step 06

    Develop the foreground with details like the cattle, figures, and rocks.

  7. step 07

    Refine the details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · burnt umber · Prussian blue · titanium white

secondary · raw sienna · ivory black · cadmium yellow light

Achieve the muted greens by mixing yellow ochre, Prussian blue, and a touch of burnt umber. Use titanium white to lighten colors and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt umber, Prussian blue, titanium white, raw sienna, ivory black)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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