apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·An Allegory Of The Month Of June. Still Life Of Apples, Plums, Figs And Blackberries In Wicker Baskets And Porcelain Bowls, Arranged On A Stepped Ledge, With Branches Of Plums Suspended From Above
An Allegory Of The Month Of June. Still Life Of Apples, Plums, Figs And Blackberries In Wicker Baskets And Porcelain Bowls, Arranged On A Stepped Ledge, With Branches Of Plums Suspended From Above by Francisco Barrera

plate no. 7305

An Allegory Of The Month Of June. Still Life Of Apples, Plums, Figs And Blackberries In Wicker Baskets And Porcelain Bowls, Arranged On A Stepped Ledge, With Branches Of Plums Suspended From Above

Francisco Barrera

canvas, oilBaroquestill lifefruitbasketsbowlsstill lifefoliageplums
some experience helpful

Recreating this painting will help students develop skills in rendering textures like woven baskets and smooth fruit surfaces, as well as understanding atmospheric perspective and color mixing for realistic depictions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the baskets and bowls.

  2. step 02

    Establish the background color with a thin wash of burnt umber and sienna.

  3. step 03

    Block in the main shapes of the fruits and foliage with corresponding colors.

  4. step 04

    Begin layering colors on the fruits, building up highlights and shadows to create volume.

  5. step 05

    Add details to the baskets, using fine brushstrokes to mimic the woven texture.

  6. step 06

    Refine the foliage, paying attention to the variations in color and shape.

  7. step 07

    Add the details of the bowls, including the patterns and highlights.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the various fruit tones by mixing the primary colors with small amounts of secondary colors. Use white to create highlights and black to deepen shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne