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home·artworks·An allegory of the month of december, with a cat and a still life of fowl, fish
An allegory of the month of december, with a cat and a still life of fowl, fish by Francisco Barrera

plate no. 4054

An allegory of the month of december, with a cat and a still life of fowl, fish

Francisco Barrera

canvas, oilBaroquestill lifestill lifefishfowlcatroosterfood
experienced study

Recreating this painting will help students develop skills in rendering textures, creating depth through value, and understanding complex compositions. It also provides practice in painting realistic animal forms and still life objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to map out the composition and placement of major elements.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the animals and objects using simplified forms and mid-tones.

  4. step 04

    Begin to build up the values, focusing on areas of light and shadow to create form.

  5. step 05

    Add details to the animals, such as feathers, fur, and scales, using smaller brushes.

  6. step 06

    Refine the details of the still life objects, paying attention to their textures and reflections.

  7. step 07

    Adjust the overall color balance and contrast to create a cohesive and realistic image.

  8. step 08

    Add final highlights and details to enhance the sense of realism and depth.

color palette

primary · raw umber · ivory black · yellow ochre · burnt sienna

secondary · cadmium yellow · ultramarine blue · titanium white

Achieve the dark, rich tones by mixing raw umber and ivory black. Use yellow ochre and burnt sienna for warm highlights. Mix ultramarine blue with white to create cooler grays.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the animals and objects.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas primed with oil-based primer for best results. Consider using a toned ground to help establish the initial values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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