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home·artworks·An afternoon in autumn
An afternoon in autumn by Hans Heysen

plate no. 7364

An afternoon in autumn

Hans Heysen, 1924

oilRealismanimal paintinglandscapecowstreeshillsfieldsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in depicting organic shapes and forms with watercolor.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to the sky and distant hills.

  3. step 03

    Add a slightly darker wash to the middle ground, incorporating more burnt umber and a touch of blue.

  4. step 04

    Paint the trees and foliage using a mix of greens, browns, and blues, varying the intensity of the colors.

  5. step 05

    Add details to the foreground, including the cows and any other prominent features.

  6. step 06

    Use dry brush techniques to create texture in the grass and foliage.

  7. step 07

    Glaze shadows with diluted indigo or Payne's gray to add depth and dimension.

  8. step 08

    Add final highlights with a clean, damp brush to lift color.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · Payne's gray · sap green

Achieve the muted tones by mixing complementary colors and diluting the paint with plenty of water. Use layering to build up depth and create subtle variations in color.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Using too much paint and creating muddy colors.
  • →Failing to establish a clear value structure.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes and shapes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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