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home·artworks·Amusement on the Ice
Amusement on the Ice by Isaac van Ostade

plate no. 0742

Amusement on the Ice

Isaac van Ostade, 1645

oil, panelBaroquegenre paintingfiguresiceskybuildingstreesdogs
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, glazing techniques, and rendering complex scenes with multiple figures. It also provides practice in capturing the subtle nuances of light and shadow in a winter landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Establish the sky with a thin wash of muted yellows, grays, and blues, blending softly.

  3. step 03

    Block in the large shapes of the buildings and figures using dark earth tones.

  4. step 04

    Begin layering in details, starting with the darkest shadows and gradually adding highlights.

  5. step 05

    Use thin glazes to create depth and atmosphere in the background.

  6. step 06

    Add details to the figures, paying attention to their poses and clothing.

  7. step 07

    Render the ice with subtle variations in color and texture, reflecting the sky and surrounding objects.

  8. step 08

    Add final details, such as the bare branches of the trees and the dogs playing on the ice.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · Prussian blue · burnt sienna · ivory black

Mix muted grays and blues for the sky and ice. Use thin washes of burnt sienna and raw umber to create the warm tones of the buildings and figures. Add small amounts of Prussian blue to darken shadows.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in color and texture of the ice.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a fine-grained canvas to allow for smooth blending and glazing. Consider toning the canvas with a thin wash of raw umber before beginning to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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