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home·artworks·Among the flowers in the garden
Among the flowers in the garden by Silvestro Lega

plate no. 3938

Among the flowers in the garden

Silvestro Lega, 1862

oil, canvasRealismgenre paintinggardenflowersfiguretreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle nuances of light and shadow in a natural setting. It also provides practice in painting figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, trees, and main areas of the garden.

  2. step 02

    Block in the sky and distant mountains with thin washes of color.

  3. step 03

    Establish the dark and light areas of the foliage using dark greens and browns.

  4. step 04

    Paint the figure with light blue and white, paying attention to the folds of the dress.

  5. step 05

    Add details to the flowers, using small brushstrokes and a variety of colors.

  6. step 06

    Refine the tree branches and leaves, creating a sense of depth and texture.

  7. step 07

    Add highlights to the foliage and flowers to create a sense of light.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ultramarine blue · titanium white · sap green · burnt umber

secondary · yellow ochre · cadmium yellow · alizarin crimson · raw sienna

Mix greens by blending blues and yellows, and create earth tones by combining browns, yellows, and reds. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details in the foliage.
  • →Creating too much contrast, making the painting look harsh.
  • →Failing to capture the subtle variations in color.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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