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home·artworks·Alleyway of Naples
Alleyway of Naples by Vincenzo Migliaro

plate no. 0796

Alleyway of Naples

Vincenzo Migliaro

oil, canvasRealismgenre paintingalleywayfiguresbuildingsstreet sceneclothingmarket
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a realistic style. It also provides practice in creating a sense of depth and capturing the details of a busy street scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the alleyway and the placement of the figures.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main shapes of the buildings, figures, and street using simplified color masses.

  4. step 04

    Develop the details of the figures, paying attention to the light and shadow on their clothing and faces.

  5. step 05

    Add details to the buildings, including windows, doors, and architectural features.

  6. step 06

    Create the atmospheric perspective by softening the edges and lightening the colors of the objects in the distance.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix burnt umber and raw sienna with white to create the various shades of the buildings and street. Use cadmium red and ultramarine blue to create the reds and blues of the figures' clothing. Add yellow ochre to create the warm tones of the light.

techniques

  • ·atmospheric perspective
  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the perspective wrong, which can make the alleyway look distorted.
  • →Overworking the details, which can make the painting look too busy.
  • →Failing to create a sense of depth, which can make the painting look flat.
  • →Not paying attention to the light and shadow, which can make the figures look unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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