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home·artworks·Allegory of Vice
Allegory of Vice by Theodoor van Thulden

plate no. 9326

Allegory of Vice

Theodoor van Thulden

oilBaroqueallegorical paintingfiguremusical instrumentinteriortablecupiddrapery
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and complex interior scenes with multiple objects. It also provides practice in creating a focal point through the use of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of highest contrast.

  4. step 04

    Develop the skin tones of the figures, paying attention to subtle variations in color and value.

  5. step 05

    Render the drapery folds, using highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the musical instruments, jewelry box, and other objects in the scene.

  7. step 07

    Refine the overall composition and adjust the values as needed.

  8. step 08

    Add final glazes to enhance the colors and create a sense of depth.

color palette

primary · ivory black · yellow ochre · titanium white · burnt umber

secondary · cadmium red light · ultramarine blue · raw sienna

Mix various shades of skin tones using titanium white, yellow ochre, cadmium red light, and a touch of burnt umber. Create the dark background by mixing ivory black and burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a strong sense of light and shadow.
  • →Overworking the skin tones and making them look muddy.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, yellow ochre, titanium white, burnt umber, cadmium red light, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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