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home·artworks·Allegory of Time
Allegory of Time by Heinrich Schonfeld

plate no. 5454

Allegory of Time

Heinrich Schonfeld, 1630

oilBaroquereligious paintingfiguresarchitectureskycloudswingslandscape
some experience helpful

Recreating this painting will help students develop skills in figure drawing, atmospheric perspective, and creating depth through value and color variations. It also provides practice in rendering drapery and architectural details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key architectural elements.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky and background elements, paying attention to atmospheric perspective (lighter and cooler tones in the distance).

  4. step 04

    Begin to develop the figures, starting with the larger forms and gradually adding details.

  5. step 05

    Work on the drapery, using highlights and shadows to create a sense of volume and movement.

  6. step 06

    Refine the architectural details, focusing on accurate perspective and tonal values.

  7. step 07

    Add the wings and other symbolic elements, paying attention to their texture and form.

  8. step 08

    Glaze and adjust colors as needed to unify the painting and enhance the overall mood.

color palette

primary · titanium white · burnt umber · ultramarine blue · cadmium red

secondary · yellow ochre · ivory black

Achieve the skin tones by mixing white, red, and umber, with small amounts of yellow ochre. The sky is a mix of white, blue, and a touch of red to create the cloud tones. Dark areas use umber and black.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth.
  • →Overworking the details.
  • →Not paying enough attention to value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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