apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Allegory of the Virgin Patroness of the Dominicans
Allegory of the Virgin Patroness of the Dominicans by Miguel Cabrera

plate no. 9947

Allegory of the Virgin Patroness of the Dominicans

Miguel Cabrera

oilBaroquereligious paintingfiguresreligiouscloudsangelsrobessky
experienced study

This painting offers practice in rendering figures with drapery and creating atmospheric perspective. It also requires careful attention to light and shadow to model forms effectively.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and their positions.

  2. step 02

    Establish the background with thin washes of color, focusing on the cloud formations.

  3. step 03

    Block in the main shapes of the figures with mid-tones, paying attention to proportions.

  4. step 04

    Begin to develop the drapery folds, using darker values to define shadows and lighter values for highlights.

  5. step 05

    Refine the facial features and hands of each figure, adding subtle details.

  6. step 06

    Add the halos and other symbolic elements.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final details and highlights to enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue · burnt sienna

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and white to create the sky and cloud colors. Mix burnt sienna and black to achieve the dark robes.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne