apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Allegory of Earth
Allegory of Earth by Jan Brueghel the Elder

plate no. 4724

Allegory of Earth

Jan Brueghel the Elder

oilBaroqueallegorical paintingfigureslandscapetreesfruitvegetablessky
experienced study

Recreating this painting will help students develop skills in layering, glazing, and rendering complex textures like foliage and fabrics. Students will also learn about creating depth through atmospheric perspective and color temperature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major landscape elements.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the trees and foliage, paying attention to the overall value structure.

  4. step 04

    Begin layering colors in the foreground, defining the shapes of the fruits, vegetables, and flowers.

  5. step 05

    Refine the figures, focusing on accurate proportions and subtle shading.

  6. step 06

    Add details to the foliage and ground cover, using small brushstrokes to create texture.

  7. step 07

    Glaze over the entire painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · viridian green · yellow ochre · alizarin crimson · titanium white

secondary · ultramarine blue · burnt umber · cadmium yellow

Achieve the greens by mixing viridian green with yellow ochre and titanium white. Create flesh tones by mixing alizarin crimson, yellow ochre, and titanium white. Use ultramarine blue and burnt umber to create muted grays and browns for shadows.

techniques

  • ·glazing
  • ·layering
  • ·atmospheric perspective
  • ·rendering fabrics
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early and losing the overall composition.
  • →Using colors that are too saturated and not creating a sense of depth.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to accurately capture the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (viridian green, yellow ochre, alizarin crimson, titanium white, ultramarine blue, burnt umber, cadmium yellow)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·damar varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne