apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Allegorical Portrait of Stanisław August Poniatowski with an Hourglas
Allegorical Portrait of Stanisław August Poniatowski with an Hourglas by Marcello Bacciarelli

plate no. 3649

Allegorical Portrait of Stanisław August Poniatowski with an Hourglas

Marcello Bacciarelli, 1793

oilBaroqueportraitportraitfigurehourglasstablerobelace
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice with depicting textures like fur and lace.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements like the hourglass and table.

  2. step 02

    Establish the background with broad, blended strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main colors of the figure's robe, fur, and skin, paying attention to the overall value structure.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle gradations of tone to create a lifelike appearance.

  5. step 05

    Add details to the fur and lace, using smaller brushes and careful observation to capture their textures.

  6. step 06

    Paint the hourglass and other objects on the table, paying attention to their forms and reflections.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious and visually engaging composition.

  8. step 08

    Add final highlights and details to enhance the realism and depth of the painting.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the blue robe by mixing ultramarine with white for highlights and adding black for shadows. Use raw umber and yellow ochre for the fur, highlighting with white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Inaccurate proportions of the figure, especially the face.
  • →Overly harsh or muddy skin tones.
  • →Failure to capture the subtle textures of the fur and lace.
  • →Neglecting the importance of value contrast in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, raw umber, titanium white, cadmium red, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne