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home·artworks·All Souls' Day
All Souls' Day by Jules Bastien-Lepage

plate no. 1632

All Souls' Day

Jules Bastien-Lepage, 1878

oilRealismgenre paintingfiguresroadtreesbuildingsskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle variations in light and shadow to create depth. It also provides practice in painting figures in a naturalistic setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the overall color scheme by applying a thin wash of diluted paint to the canvas.

  3. step 03

    Block in the main shapes of the figures, buildings, and trees using simplified color masses.

  4. step 04

    Develop the background elements, paying attention to atmospheric perspective by making distant objects lighter and less detailed.

  5. step 05

    Refine the figures, adding details to their clothing and faces, and paying attention to the light and shadow.

  6. step 06

    Add details to the foreground, such as the road and the vegetation, using broken brushstrokes to create texture.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to enhance the realism of the scene.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix raw umber and white for the road. Use burnt sienna and yellow ochre for the buildings. Mix ultramarine blue and white for the sky. Use small amounts of cadmium red light to warm up the browns.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the figures too stiff and unnatural.
  • →Failing to create a sense of depth by not using atmospheric perspective effectively.
  • →Using too many colors and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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