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home·artworks·Alkmaar in Winter
Alkmaar in Winter by Salomon van Ruysdael

plate no. 5910

Alkmaar in Winter

Salomon van Ruysdael

oilBaroquecityscapecityscapeice skatingfiguresskybuildingswinter
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in creating a sense of depth and distance through color and detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major buildings, and the overall composition.

  2. step 02

    Block in the sky with a base layer of light blue, gradually adding warmer tones towards the horizon.

  3. step 03

    Establish the basic shapes of the buildings and the ice surface with thin washes of color.

  4. step 04

    Develop the middle ground by adding details to the figures and structures, gradually increasing contrast.

  5. step 05

    Focus on the foreground, adding details to the figures, tent, and ice texture.

  6. step 06

    Refine the details of the buildings and figures, paying attention to light and shadow.

  7. step 07

    Add highlights to the ice and figures to create a sense of realism.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Achieve the sky colors by mixing white with varying amounts of blue and a touch of yellow ochre. Create the warm tones of the buildings and ice by mixing burnt umber with yellow ochre and white.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·rendering figures

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using colors that are too saturated, which can make the painting look unrealistic.
  • →Failing to establish a clear focal point, which can make the composition feel scattered.
  • →Not paying attention to the subtle variations in color and value, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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