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Aligi by Francesco Paolo Michetti

plate no. 5771

Aligi

Francesco Paolo Michetti

mixed technique, paperRealismportraitportraitfiguremanclothingheadwearneutral background
some experience helpful

Recreating this portrait will help students develop skills in value shading, capturing likeness, and creating texture with visible brushstrokes. It also provides practice in working with a limited color palette to achieve a realistic effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure.

  2. step 02

    Establish the main light and shadow areas with broad strokes of charcoal or a mid-tone paint.

  3. step 03

    Refine the facial features, paying close attention to the angles and proportions of the eyes, nose, and mouth.

  4. step 04

    Build up the darker values in the hair, clothing, and background, using a darker shade of your chosen medium.

  5. step 05

    Add highlights to the face and clothing using white or a very light tint.

  6. step 06

    Blend the values to create smooth transitions, but leave some visible brushstrokes for texture.

  7. step 07

    Add details such as the earring and subtle wrinkles.

  8. step 08

    Adjust values and details as needed to achieve a likeness and a sense of depth.

color palette

primary · raw umber · titanium white · ivory black

secondary · light ochre

Mix raw umber and white to create various shades of gray for the skin tones. Use a touch of black to deepen shadows and light ochre to warm up the background.

techniques

  • ·value shading
  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the blending, resulting in a flat, lifeless appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Not establishing a clear light source, leading to inconsistent shadows.
  • →Using too much contrast too early, making it difficult to adjust values later.

materials

surface · toned paper

required

  • ·toned paper
  • ·charcoal pencils (soft, medium, hard)
  • ·white chalk or pastel
  • ·kneaded eraser
  • ·blending stumps or tortillions
  • ·fixative spray

optional

  • ·ruler
  • ·grid for accurate proportions
  • ·sandpaper block for sharpening pencils

Choose a toned paper that is slightly darker than the lightest values in the painting. A smooth or slightly textured paper will work well.

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