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home·artworks·Alexander the Great before the Tomb of Achilles
Alexander the Great before the Tomb of Achilles by Heinrich Schonfeld

plate no. 7677

Alexander the Great before the Tomb of Achilles

Heinrich Schonfeld, 1630

oilBaroquehistory paintingfiguretombarchitectureinteriorcolumnsstatue
experienced study

Recreating this painting will help students develop skills in rendering figures in dramatic lighting and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the texture and form of architectural elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the tomb.

  2. step 02

    Establish the darkest and lightest values to create a sense of depth and drama.

  3. step 03

    Block in the main shapes and colors of the figure, tomb, and architectural elements.

  4. step 04

    Begin to refine the details of the figure, paying attention to the folds of the clothing and the facial features.

  5. step 05

    Add details to the tomb, including the carvings and the texture of the stone.

  6. step 06

    Develop the background, using atmospheric perspective to create a sense of distance.

  7. step 07

    Refine the lighting and shadows to enhance the drama of the scene.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · burnt umber · ivory black

secondary · cadmium red light · yellow ochre

Achieve the dark, muted tones by mixing raw umber and ivory black. Use burnt umber to create warmer shadows and highlights. Add small amounts of cadmium red light or yellow ochre to create subtle variations in color.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Ignoring the principles of atmospheric perspective and creating a flat, unrealistic space.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned canvas to establish a middle value.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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