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home·artworks·Alexander Pushkin in a Park
Alexander Pushkin in a Park by Valentin Serov

plate no. 4290

Alexander Pushkin in a Park

Valentin Serov, 1899

gouache, paperRealismportraitfigureparktreeslandscapeportraitfence
some experience helpful

Recreating this painting will help students develop skills in tonal value painting and capturing a likeness with loose brushstrokes. It also provides practice in creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and major elements.

  2. step 02

    Establish the darkest values first, using a thin wash of burnt umber or similar dark brown.

  3. step 03

    Build up the mid-tones, gradually adding layers of color and value to define the forms.

  4. step 04

    Pay attention to the light source and how it affects the shadows and highlights.

  5. step 05

    Add details to the figure's face and clothing, using smaller brushes and more precise strokes.

  6. step 06

    Create the background elements, such as the trees and fence, with loose, expressive brushstrokes.

  7. step 07

    Use a dry brush technique to add texture to the ground and foliage.

  8. step 08

    Refine the overall composition and make any necessary adjustments to the values and colors.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white

Mix burnt umber with white to create lighter shades for highlights. Use yellow ochre and raw sienna to add warmth to the ground and foliage.

techniques

  • ·dry brush
  • ·tonal painting
  • ·atmospheric perspective
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a strong value structure.
  • →Ignoring the light source and its effect on the shadows and highlights.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a slightly textured surface to enhance the dry brush effect.

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