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home·artworks·Alcázar of Seville
Alcázar of Seville by Vasily Surikov

plate no. 4144

Alcázar of Seville

Vasily Surikov, 1910

watercolor, paperRealismcityscapebuildingarchitecturepalm treesskyarcheslandscape
some experience helpful

Recreating this painting will help students develop skills in watercolor washes, layering, and creating atmospheric perspective. It will also improve their understanding of architectural rendering and capturing light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, palm tree, and horizon line.

  2. step 02

    Apply a light wash of diluted purple/grey for the sky, allowing it to dry.

  3. step 03

    Paint the building's base color with a diluted mix of ochre and burnt sienna, leaving highlights.

  4. step 04

    Add shadows to the building and ground using a mix of burnt umber and purple.

  5. step 05

    Paint the palm tree with varying shades of green and brown, using a dry brush technique for texture.

  6. step 06

    Add details to the arches and roof tiles with darker shades of brown and red.

  7. step 07

    Paint the foliage with loose, varied greens, adding hints of red for flowers.

  8. step 08

    Refine details and add final touches, such as shadows on the ground.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue

secondary · burnt umber · sap green · alizarin crimson

Mix burnt sienna and yellow ochre for the building's base. Combine ultramarine blue and alizarin crimson for the sky and shadows. Use sap green and yellow ochre for the foliage.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·watercolor washes
  • ·layering
  • ·lifting

common pitfalls

  • →Overworking the watercolor and losing its transparency.
  • →Making the colors too saturated and not diluted enough.
  • →Not allowing layers to dry completely before adding new ones.
  • →Failing to capture the atmospheric perspective by making distant objects too dark.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (tubes or pans)
  • ·Watercolor paper (140lb or heavier)
  • ·Round watercolor brushes (sizes 2, 6, 10)
  • ·Palette for mixing paints
  • ·Water container
  • ·Paper towels
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle
  • ·Watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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