apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Albert Edelfelt - Summer
Albert Edelfelt - Summer by Albert Edelfelt

plate no. 8722

Albert Edelfelt - Summer

Albert Edelfelt

oilRealismgenre paintingfiguretreesgrasschildrenlandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in rendering light and shadow in a natural setting, as well as capturing the texture of grass and foliage with loose brushstrokes. Students will also learn how to create depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the main elements.

  2. step 02

    Block in the large areas of color, focusing on the overall values and temperature.

  3. step 03

    Develop the background elements, such as the trees and foliage, using loose brushstrokes.

  4. step 04

    Refine the figure, paying attention to the light and shadow on the dress and skin.

  5. step 05

    Add details to the foreground, such as the grass and flowers.

  6. step 06

    Create depth by making distant objects lighter and less detailed.

  7. step 07

    Adjust the overall color harmony and value contrast.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · sap green · titanium white · yellow ochre

secondary · burnt umber · cerulean blue · cadmium yellow

Mix greens by combining yellow ochre, sap green, and a touch of burnt umber for darker shades. Achieve the light, airy feel by mixing generous amounts of titanium white into your colors.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details in the background.
  • →Creating overly saturated colors.
  • →Failing to establish a clear focal point.
  • →Ignoring the subtle value shifts in the grass and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·oil paints

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy