apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alaverdi copper-chemical complex
Alaverdi copper-chemical complex by Martiros Sarian

plate no. 7112

Alaverdi copper-chemical complex

Martiros Sarian, 1937

oil, canvasRealismlandscapemountainsfactorybuildingssmokefigureslandscape
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using color to create depth and atmosphere. It also provides practice in depicting industrial landscapes within a natural setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, buildings, and other key elements, focusing on their relative sizes and positions.

  2. step 02

    Establish the horizon line and the general layout of the foreground, middle ground, and background.

  3. step 03

    Block in the main color areas for the mountains, sky, and ground, using thin washes of paint.

  4. step 04

    Add details to the buildings and factory structures, paying attention to their geometric forms and shadows.

  5. step 05

    Develop the textures of the mountains and ground using broken brushstrokes and variations in color.

  6. step 06

    Paint the smoke plumes, blending them softly into the sky.

  7. step 07

    Add the figures and other small details to the foreground to create a sense of scale and activity.

  8. step 08

    Refine the details and adjust the colors and values as needed to achieve a cohesive and atmospheric effect.

color palette

primary · purple · yellow ochre · raw umber · titanium white

secondary · cadmium red · sap green · ultramarine blue

Mix muted greens by combining yellow ochre, raw umber, and a touch of ultramarine blue. Achieve the mountain colors by blending purple with white and touches of red and brown.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color layering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear sense of depth and perspective.
  • →Ignoring the subtle variations in color and value within each area of the painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: purple, yellow ochre, raw umber, titanium white, cadmium red, sap green, ultramarine blue
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium

Use a limited palette to simplify color mixing and create a harmonious effect. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy