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home·artworks·Ahuehuetes de Chapultepec
Ahuehuetes de Chapultepec by Jose Maria Velasco

plate no. 0271

Ahuehuetes de Chapultepec

Jose Maria Velasco, 1872

oilRealismlandscapetreeslandscapevegetationskyfoliagewater
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as understanding how to depict complex foliage using simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the large tree mass and the horizon line.

  2. step 02

    Establish the sky with a thin wash of pink and white, blending the colors softly.

  3. step 03

    Block in the large shapes of the trees and foliage using dark browns and greens.

  4. step 04

    Begin layering lighter greens and browns to create highlights and variations in the foliage.

  5. step 05

    Add details to the tree trunks and branches, using a smaller brush.

  6. step 06

    Paint the foreground with a mix of greens, browns, and yellows, suggesting grass and vegetation.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · burnt umber · titanium white · sap green

secondary · yellow ochre · alizarin crimson · ultramarine blue

Mix greens by combining sap green with yellow ochre or ultramarine blue. Create browns by mixing burnt umber with alizarin crimson or yellow ochre. Achieve the pink sky by mixing titanium white with a touch of alizarin crimson.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much detail in the background, which can flatten the image.
  • →Not paying attention to the values, which can make the painting look muddy.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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