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home·artworks·Agony in the Garden
Agony in the Garden by Adriaen van de Velde

plate no. 9033

Agony in the Garden

Adriaen van de Velde, 1665

oil, canvasBaroquereligious paintingfiguresangelnightgardensoldierschalice
experienced study

Recreating this painting will help students develop skills in rendering figures with dramatic lighting and creating atmospheric perspective to depict depth. It also provides practice in mixing subtle color variations to create realistic skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and compositional elements.

  2. step 02

    Establish the dark background and general light source direction.

  3. step 03

    Block in the main color masses for the figures, focusing on accurate proportions and poses.

  4. step 04

    Start building up layers of color on the figures, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the faces, hands, and drapery, using smaller brushes.

  6. step 06

    Add the background details, such as the soldiers and the sleeping figures, with less detail.

  7. step 07

    Glaze over the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · alizarin crimson · raw sienna · ivory black

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of alizarin crimson for warmth. Create the dark background by mixing ultramarine blue, burnt umber, and ivory black. Use glazes of raw sienna and burnt umber to create depth and atmosphere.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Inaccurate color mixing, resulting in muddy or unnatural colors.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, alizarin crimson, raw sienna, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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