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home·artworks·Agonia e Morte de São Francisco
Agonia e Morte de São Francisco by Mestre Ataíde

plate no. 1806

Agonia e Morte de São Francisco

Mestre Ataíde, 1800

oilBaroquereligious paintingangelscloudsfigurelandscapeskullreligious
some experience helpful

Recreating this painting will help students develop skills in figure drawing, creating atmospheric perspective, and rendering cloud formations. Students will also learn to mix subtle color variations to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, paying attention to proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the sky and clouds.

  3. step 03

    Develop the figures, focusing on the light and shadow to create form.

  4. step 04

    Add details to the landscape, including the buildings and trees.

  5. step 05

    Refine the details of the angels and their wings, paying attention to the delicate features.

  6. step 06

    Paint the still life elements, such as the skull and snake, with careful attention to detail.

  7. step 07

    Add final highlights and shadows to enhance the overall depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · raw sienna

Mix various shades of brown using burnt umber, yellow ochre, and white. Create the sky and clouds by mixing white with small amounts of blue and yellow. Achieve skin tones by mixing white, red, and yellow ochre.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·retarder medium
  • ·varnish
  • ·easel

A smooth canvas surface is recommended for easier blending. Consider using a medium to slow the drying time of the acrylics.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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