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home·artworks·After the duel
After the duel by Cristiano Banti

plate no. 2766

After the duel

Cristiano Banti

oil, canvasRealismhistory paintingfiguresarchitectureinteriorarchwayshadowshistorical
some experience helpful

Recreating this painting will help students develop skills in depicting figures in shadow and creating atmospheric perspective with a limited color palette. It also provides practice in suggesting detail rather than rendering it precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to the placement of the figures and the archway.

  2. step 02

    Establish the overall value structure by blocking in the dark areas with a thin wash of burnt umber.

  3. step 03

    Begin building up the lighter areas, focusing on the light source behind the archway.

  4. step 04

    Introduce the primary colors, using them sparingly to suggest the figures' clothing and features.

  5. step 05

    Refine the details in the foreground, adding texture and subtle variations in tone.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights to emphasize the light source and create focal points.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the shadows.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · alizarin crimson · yellow ochre

Mix burnt umber and ivory black for the dark shadows. Use raw sienna and yellow ochre for the lighter areas, and add alizarin crimson to create the reddish hues in the figures' clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much color and creating a painting that is too bright or saturated.
  • →Failing to establish a strong value structure and creating a flat or muddy painting.
  • →Neglecting the importance of edges and creating a painting that lacks depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·painting varnish

Use a canvas with a smooth texture to facilitate blending. Consider using a toned ground to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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