apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Aeneas and Anchises
Aeneas and Anchises by Domenico Fiasella

plate no. 1918

Aeneas and Anchises

Domenico Fiasella

oil, canvasBaroquemythological paintingfiguresmythologytorchfireclassical architecturerescue
experienced study

Recreating this painting will help students develop skills in depicting figures in dynamic poses and using chiaroscuro to create dramatic lighting effects. It also provides practice in rendering realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin building up the highlights and shadows.

  4. step 04

    Develop the skin tones, paying attention to subtle color variations.

  5. step 05

    Render the drapery, focusing on the folds and textures.

  6. step 06

    Add details to the faces and hands to convey emotion and expression.

  7. step 07

    Refine the background and add any remaining details.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use cadmium red and yellow ochre to create warm flesh tones, and ultramarine blue to cool down shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overblending the skin tones
  • →Ignoring the light source
  • →Getting lost in details too early
  • →Not establishing a strong value structure

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne