apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Adoration of the Shepherds
Adoration of the Shepherds by Georges de la Tour

plate no. 4404

Adoration of the Shepherds

Georges de la Tour, 1644

oil, canvasTenebrismreligious paintingfiguresbabycandlelightreligious sceneshepherdsclothing
experienced study

Recreating this painting will help students understand dramatic lighting (tenebrism) and how to model forms using strong value contrasts. Students will also develop skills in painting realistic figures and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and composition.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the mid-tones and highlights, focusing on the areas illuminated by the candlelight.

  4. step 04

    Carefully blend the transitions between light and shadow to create a sense of depth.

  5. step 05

    Refine the details of the figures, paying attention to facial features and drapery folds.

  6. step 06

    Add the subtle color variations in the clothing and skin tones.

  7. step 07

    Pay close attention to the light source and how it affects the colors and values.

  8. step 08

    Add final highlights to enhance the dramatic effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Mix burnt umber and ivory black for the darkest shadows. Use raw sienna and titanium white for the highlights, adding small amounts of cadmium red light or yellow ochre to warm the skin tones.

techniques

  • ·tenebrism
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure.
  • →Over-blending the transitions, resulting in a flat appearance.
  • →Inaccurate proportions of the figures.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red light, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

St. Simon

St. Simon

Georges de la Tour

St. Bartholomew

St. Bartholomew

Jusepe de Ribera

The Triangle Player

The Triangle Player

Georges de la Tour

Glowers in a sculpted vase on a stone plinth

Glowers in a sculpted vase on a stone plinth

Mario Nuzzi

St. Jerome

St. Jerome

Jusepe de Ribera

A Mother Entrusting Her Sons to Christ

A Mother Entrusting Her Sons to Christ

Mattia Preti

Adoration of the Magi in a wreath of flowers

Adoration of the Magi in a wreath of flowers

Mario Nuzzi

St. Philip

St. Philip

Jusepe de Ribera