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home·artworks·Adoration by the Shepherds
Adoration by the Shepherds by Samuel Dirksz van Hoogstraten

plate no. 4528

Adoration by the Shepherds

Samuel Dirksz van Hoogstraten, 1647

oilBaroquereligious paintingfiguresbabynativityfireinteriorreligious
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering figures in low light conditions. It also provides practice in creating a focal point through the use of light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Lightly sketch the main figures and composition, paying attention to proportions.

  3. step 03

    Establish the darkest areas of the painting with a dark brown or black.

  4. step 04

    Block in the main areas of light, focusing on the figures around the baby.

  5. step 05

    Begin to refine the figures, adding details to faces and clothing.

  6. step 06

    Develop the background, using subtle variations in tone to create depth.

  7. step 07

    Add the fire and the light it casts, paying attention to the warm glow.

  8. step 08

    Add final details and highlights to enhance the focal point and create a sense of realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue · van dyke brown

Achieve the warm glow by mixing yellow ochre and cadmium red light. Create shadows by mixing burnt umber and ivory black. Use titanium white sparingly for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a strong value structure.
  • →Using too much white, which can make the colors look chalky.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

A pre-toned canvas will help to establish the overall mood of the painting. Use high-quality oil paints for best results.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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