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home·artworks·Adolf Friedrich Erdmann von Menzel
Adolf Friedrich Erdmann von Menzel by Giovanni Boldini

plate no. 7898

Adolf Friedrich Erdmann von Menzel

Giovanni Boldini, 1895

oil, canvasRealismportraitportraitmanglassesclothingfacechair
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and using loose, expressive brushwork. It also provides practice in mixing subtle skin tones and creating depth with value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and chair.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, clothing, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing and chair, using loose, expressive brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the edges and details, softening some areas and sharpening others.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix skin tones by combining white, burnt sienna, raw umber, and small amounts of red and yellow. Use ultramarine blue and ivory black to create the grays for the clothing.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, burnt sienna, titanium white, ultramarine blue, yellow ochre, cadmium red light)
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round, flat, filbert)
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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