
plate no. 7898
Giovanni Boldini, 1895
Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and using loose, expressive brushwork. It also provides practice in mixing subtle skin tones and creating depth with value.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and chair.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Block in the main areas of color, focusing on the skin tones, clothing, and background.
Begin refining the facial features, paying close attention to the eyes, nose, and mouth.
Develop the details of the clothing and chair, using loose, expressive brushstrokes.
Add highlights and shadows to create depth and dimension.
Refine the edges and details, softening some areas and sharpening others.
Add final touches and glazes to unify the painting.
color palette
primary · ivory black · raw umber · burnt sienna · titanium white
secondary · ultramarine blue · yellow ochre · cadmium red light
Mix skin tones by combining white, burnt sienna, raw umber, and small amounts of red and yellow. Use ultramarine blue and ivory black to create the grays for the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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