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home·artworks·Academy of Art student M. Zdanevich portrait
Academy of Art student M. Zdanevich portrait by Alexander Bazhbeuk-Melikyan

plate no. 3890

Academy of Art student M. Zdanevich portrait

Alexander Bazhbeuk-Melikyan, 1949

oil, canvasRealismportraitportraitfigurehatshawlwoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also offers practice in depicting fabric and creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes with thin washes of color, establishing the basic values.

  3. step 03

    Begin building up the skin tones, using a limited palette and blending carefully.

  4. step 04

    Define the features of the face, paying close attention to the light and shadow.

  5. step 05

    Add details to the hat and shawl, capturing the texture and folds of the fabric.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Mix skin tones using a base of yellow ochre, white, and a touch of red. Use raw umber and black to create shadows and darker areas. Add small amounts of blue to neutralize colors.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value study
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions.
  • →Failing to capture the subtle nuances of skin tones.
  • →Ignoring the effect of light and shadow on the form.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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