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home·artworks·Academic keeper Efimov
Academic keeper Efimov by Ilya Repin

plate no. 4411

Academic keeper Efimov

Ilya Repin, 1870

oilRealismportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing realistic textures with visible brushstrokes. It's a good exercise in understanding light and shadow on a human form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of paint.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and background, focusing on the overall values.

  4. step 04

    Begin to refine the skin tones by layering different shades of pink, red, yellow, and brown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small brushstrokes.

  6. step 06

    Develop the texture of the hair and clothing with thicker paint and more visible brushstrokes.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and details.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create various shades of blue for the clothing.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·impasto

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Not capturing the subtle variations in color and value.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, cadmium red, raw sienna, ivory black)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use artist-grade oil paints for best results. A medium-textured canvas will help to create a more textured surface.

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related guides

oil painting for beginners →how to learn by studying the masters →
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