apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Abraham Receiving the Three Angels
Abraham Receiving the Three Angels by Bartolomé Esteban Murillo

plate no. 1877

Abraham Receiving the Three Angels

Bartolomé Esteban Murillo, 1667

oil, canvasBaroquereligious paintingfigureslandscapebuildingtreesrobessky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the building.

  2. step 02

    Establish the background with a thin wash of muted colors, creating a sense of depth.

  3. step 03

    Block in the main shapes and values of the figures, paying attention to the light source.

  4. step 04

    Begin layering colors to define the forms and create realistic skin tones.

  5. step 05

    Add details to the drapery, capturing the folds and highlights.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Add details to the landscape, including the trees and the building.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · alizarin crimson · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create muted colors for the background by mixing complementary colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, alizarin crimson, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne