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home·artworks·Abraham De Potter
Abraham De Potter by Carel Fabritius

plate no. 5425

Abraham De Potter

Carel Fabritius, 1649

oil, canvasBaroqueportraitportraitfigurecollarmanclothinghands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, focusing on the head, shoulders, and hand placement.

  2. step 02

    Establish the background color with a thin wash of muted browns and grays.

  3. step 03

    Block in the main shapes of the figure's clothing with a dark, neutral color.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Carefully render the facial features, paying attention to the subtle variations in color and value.

  6. step 06

    Paint the white collar, capturing the folds and highlights with varying shades of white and gray.

  7. step 07

    Refine the details of the hands, adding subtle highlights and shadows to define the form.

  8. step 08

    Add final details and glazes to unify the painting and enhance the overall effect.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones using white, red, yellow ochre, and a touch of umber. Achieve the dark clothing color by mixing black with a small amount of umber and burnt sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle value shifts in the skin tones.
  • →Failing to capture the likeness of the subject.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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