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home·artworks·Abandoned Mill
Abandoned Mill by Fyodor Vasilyev

plate no. 8776

Abandoned Mill

Fyodor Vasilyev, 1873

pencil, sepia, watercolor, paperRealismlandscapetreeswaterbuildingskyboatbirds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a landscape using a limited color palette. It also provides practice in rendering reflections in water and creating texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line, the placement of the mill, and the water's edge.

  2. step 02

    Establish the sky with a thin wash of blue and green, blending the colors softly.

  3. step 03

    Block in the dark masses of the trees and foliage using a mix of dark greens and browns.

  4. step 04

    Add the basic shapes of the mill and the boat, paying attention to their proportions.

  5. step 05

    Begin layering the water, using horizontal brushstrokes to suggest reflections.

  6. step 06

    Add details to the trees and foliage, varying the brushstrokes to create texture.

  7. step 07

    Paint the birds and lily pads with small, precise strokes.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · viridian green · Prussian blue · raw umber

secondary · titanium white · yellow ochre · burnt sienna

Mix greens by combining Prussian blue and yellow ochre, adjusting the ratio for different shades. Use white to lighten the greens and blues for the sky and reflections. Raw umber is used to darken the greens and create shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details, losing the overall atmospheric effect.
  • →Making the colors too bright or saturated.
  • →Failing to create a sense of depth in the landscape.
  • →Not capturing the subtle variations in the water's reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brush (size 10)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to simplify color mixing and create a harmonious effect. Consider using a toned canvas to establish a base color.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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