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home·artworks·A young man singing with a young woman holding a rose
A young man singing with a young woman holding a rose by Nicolas Tournier

plate no. 2851

A young man singing with a young woman holding a rose

Nicolas Tournier

oil, canvasBaroquegenre paintingfiguresportraitsclothingmusicrosedark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing the play of light and shadow. It also provides practice in depicting fabric textures and creating depth through value contrast.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for the figures' clothing and skin, focusing on the overall value structure.

  4. step 04

    Begin to refine the skin tones, layering lighter and darker values to create form and dimension.

  5. step 05

    Add details to the clothing, such as the ruffles of the collar and the folds of the fabric.

  6. step 06

    Paint the rose, paying attention to its delicate petals and subtle color variations.

  7. step 07

    Refine the facial features, focusing on capturing the expressions of the figures.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining black, umber, and white. Achieve skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue to cool down the shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to establish a strong value structure, leading to a flat and lifeless painting.
  • →Neglecting the details of the clothing and accessories, which can add to the overall realism of the painting.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use a high-quality canvas primed with gesso. Experiment with different brush sizes and shapes to achieve various effects.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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