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home·artworks·A Woman with a Baby in Her Lap, and a Small Child
A Woman with a Baby in Her Lap, and a Small Child by Pieter de Hooch

plate no. 0583

A Woman with a Baby in Her Lap, and a Small Child

Pieter de Hooch, 1658

oil, woodBaroquegenre paintingfiguresinteriordomestic scenebabychildwindow
some experience helpful

Recreating this painting will help students understand how to render realistic figures in an interior setting and how to create depth using atmospheric perspective and value changes. It also provides practice in capturing the subtle nuances of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and the room.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin building up the values, focusing on the areas of greatest contrast.

  4. step 04

    Develop the details of the figures, paying attention to the folds of the clothing and the expressions on their faces.

  5. step 05

    Render the architectural details of the room, including the floor tiles, walls, and window.

  6. step 06

    Refine the colors and values, adding highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details such as the objects on the floor and the patterns on the clothing.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · red ochre

secondary · ivory black · yellow ochre · ultramarine blue

Achieve the warm, muted tones by mixing earth pigments with white and small amounts of black or blue. Use thin glazes of burnt umber and raw sienna to create depth and atmosphere.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong
  • →Overworking the details
  • →Failing to create a sense of depth
  • →Using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·red ochre oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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