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home·artworks·A Woman and a Maid in a Courtyard
A Woman and a Maid in a Courtyard by Pieter de Hooch

plate no. 6444

A Woman and a Maid in a Courtyard

Pieter de Hooch, 1660

oil, canvasBaroquegenre paintingfigurescourtyardbuildingsbrickworkskydomestic scene
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict realistic textures like brick and fabric. It also provides practice in rendering figures in a believable setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the courtyard, including the buildings and figures.

  2. step 02

    Establish the basic color blocks for the sky, buildings, and ground, focusing on the overall value structure.

  3. step 03

    Begin refining the details of the brickwork, using varying shades of brown and red to create texture.

  4. step 04

    Paint the figures, paying attention to the folds and shadows in their clothing.

  5. step 05

    Add details to the buildings, such as windows, doors, and the thatched roof.

  6. step 06

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  7. step 07

    Add final details, such as the foliage, laundry, and small objects in the courtyard.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · venetian red

secondary · yellow ochre · ivory black · ultramarine blue

Mix various shades of brown and red for the brickwork by combining burnt umber, raw sienna, and venetian red. Use white to lighten colors and create highlights. Add small amounts of blue to darken shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric
  • ·brickwork texture

common pitfalls

  • →Getting the perspective of the courtyard wrong.
  • →Making the brickwork too uniform and lacking texture.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details and losing the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, venetian red, titanium white, yellow ochre, ivory black, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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