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home·artworks·A Winter River Landscape with Figures on the Ice
A Winter River Landscape with Figures on the Ice by Hendrick Avercamp

plate no. 9070

A Winter River Landscape with Figures on the Ice

Hendrick Avercamp

oilBaroquelandscapewinterlandscapefiguresicebuildingstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in creating a sense of depth and distance through variations in color and detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, buildings, and main groups of figures.

  2. step 02

    Establish the sky with a light, blended wash of pale blue and grey.

  3. step 03

    Block in the large shapes of the buildings and the dark mass of the tree in the foreground.

  4. step 04

    Begin to define the ice surface with horizontal strokes, varying the tones to suggest depth and reflections.

  5. step 05

    Add the figures, starting with the larger groups and gradually adding smaller details.

  6. step 06

    Refine the details of the buildings, including the thatched roofs and window openings.

  7. step 07

    Add the bare branches of the trees, using a fine brush and thin paint.

  8. step 08

    Adjust the overall values and colors to create a sense of atmospheric perspective, with cooler and lighter tones in the distance.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of grey and brown by combining raw umber, white, and a touch of blue or black. Use yellow ochre and burnt sienna to create warm highlights on the buildings and figures.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·figure painting

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the distant areas
  • →Making the figures too uniform in size and shape
  • →Not establishing a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas to allow for texture. Thin the oil paints with linseed oil for smoother blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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