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home·artworks·A Windmill near Delft
A Windmill near Delft by Johan Jongkind

plate no. 4853

A Windmill near Delft

Johan Jongkind, 1857

oilRealismlandscapewindmillwaterskycloudsfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering complex shapes like the windmill with simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the windmill, water, and horizon line.

  2. step 02

    Block in the sky with light blue, gradually adding variations in tone for the clouds.

  3. step 03

    Establish the basic shapes of the windmill using a mid-tone gray, paying attention to perspective.

  4. step 04

    Paint the water with horizontal strokes, capturing the reflections of the sky and windmill.

  5. step 05

    Add details to the windmill, such as the sails, windows, and ladder.

  6. step 06

    Paint the foliage and figures in the foreground, using small, broken brushstrokes.

  7. step 07

    Refine the reflections in the water, adding highlights and shadows.

  8. step 08

    Add final details and adjust values as needed to create depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · cadmium yellow · ivory black

Mix various shades of gray by combining white, umber, and a touch of blue. Use yellow ochre and burnt sienna to create warm earth tones for the windmill and foliage. Add small amounts of cadmium yellow to the blue to create the greens.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·wet-on-dry blending
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details of the windmill, losing the overall impression.
  • →Making the reflections in the water too literal and symmetrical.
  • →Failing to create a sense of depth and atmosphere through value and color variations.
  • →Using too much detail in the background, pulling focus from the windmill.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, titanium white, burnt umber, yellow ochre, raw sienna, ivory black)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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