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home·artworks·A White Bearded Man
A White Bearded Man by Mahmoud Saiid

plate no. 3068

A White Bearded Man

Mahmoud Saiid

oilRealismportraitportraitmanbeardfigureclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering textures like hair and fabric using a limited palette. It also provides practice in controlling value and creating subtle tonal variations.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and beard.

  2. step 02

    Establish the darkest areas of the portrait, focusing on the shadows under the nose, eyes, and around the beard.

  3. step 03

    Begin to build up the mid-tones, gradually adding layers to create depth and form.

  4. step 04

    Pay close attention to the direction of the light and how it affects the shapes and values.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Work on the texture of the beard, using short, broken strokes to suggest individual hairs.

  7. step 07

    Add details to the clothing, paying attention to the folds and shadows.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre

Mix ivory black and raw umber to create a range of grays and browns. Add titanium white to lighten the values and yellow ochre for subtle warmth.

techniques

  • ·value studies
  • ·hatching
  • ·blending
  • ·portrait sketching
  • ·tonal layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the direction of the light.
  • →Creating overly harsh or abrupt transitions between values.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or white)
  • ·blending stumps or tortillions
  • ·fixative spray
  • ·ruler

optional

  • ·sandpaper block
  • ·chamois cloth

Toned paper can help establish mid-tones more easily. Use a variety of charcoal pencils to achieve different values and textures.

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related guides

oil painting for beginners →how to learn by studying the masters →
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