apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Wagon of the Third Class
A Wagon of the Third Class by Honore Daumier

plate no. 6713

A Wagon of the Third Class

Honore Daumier, 1864

charcoal, ink, watercolor, paperRealismgenre paintingfiguresinteriortrainpassengersmotherchild
experienced study

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering figures in a dimly lit environment. It also provides practice in creating a sense of depth and capturing the mood of a scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light charcoal sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of diluted paint.

  3. step 03

    Focus on establishing the dark background and gradually build up the lighter areas.

  4. step 04

    Develop the figures in the foreground, paying attention to their proportions and gestures.

  5. step 05

    Add details to the faces and clothing, using small brushstrokes to create texture.

  6. step 06

    Refine the lighting and shadows to enhance the sense of depth and atmosphere.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · Prussian blue · yellow ochre

Achieve the muted tones by mixing burnt umber with black and small amounts of blue or yellow. Use white sparingly to create highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, losing the overall mood.
  • →Failing to establish a strong focal point.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·charcoal pencils
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·varnish

Use a toned canvas to help establish the overall value range. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy