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home·artworks·A View of the Harbour, Rotterdam
A View of the Harbour, Rotterdam by Johan Jongkind

plate no. 8319

A View of the Harbour, Rotterdam

Johan Jongkind, 1856

oilRealismmarinashipsharborwaterskyboatsfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex forms with simplified brushstrokes. It also provides practice in creating depth and distance through subtle value and color changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the ships and the horizon line, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky and water with broad, muted tones, establishing the overall value range.

  3. step 03

    Define the larger ships with darker values, focusing on their silhouettes and major structural elements.

  4. step 04

    Add details to the ships, such as masts, rigging, and sails, using thin lines and small brushstrokes.

  5. step 05

    Paint the smaller boats and figures in the foreground, adding touches of color and detail to create interest.

  6. step 06

    Refine the sky and water, blending the colors and values to create a sense of atmosphere and depth.

  7. step 07

    Add highlights and shadows to the ships and boats to enhance their three-dimensionality.

  8. step 08

    Make final adjustments to the composition, ensuring that all elements are in harmony.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · cadmium red

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use thin washes of color to build up the atmospheric effects.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to create a sense of depth and distance in the water and sky.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the relative sizes and proportions of the ships and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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